Problem is that u get 1000 same tracks on dagitil shops everyday ~ and how we call thoswe people artists? And expect they live from their music? article mention that we could not analyse richie biz paths, but this is not area of research we need what he done? he inovate, had a passion, had a balls. we have to look on this things. To comain that djs play for free or drop the price its.missed point. His job is to entertain people on the dance floor, and we all now that one who has passion will do it.much better then one who is better paid. Speaking from bussiness perspective if artist choose path that they do anything by themselfs, they has to take responsibilities for that biz venture. And every business should have mission and my music biz ltd with mission sell more sucks. Simply cause of such a democracy we have miss match between demand and supply. Raves are deadth, clubs are declining while supply of new music is huge and not inovative. But still we have good models which are working well and making money in all parts of the industry. So lets look positive and keep the faith in what we choose as our life profession. Its not easy. But who say that was easy ever and it should be easy. Respect and love from zagreb

So to summarise your emomcnt: screw the artists. Welcome to the free market. Make it or don't make it, life's tough, sucks to be you. Nice. To go through your points:Downloads vs. radio: Evidence or it doesn't count. Radio breaks new artists, and pays them decent royalties as it does so. In the UK, we have the BBC, we do not follow a pure market model.Great artists from ye olde days: they were mostly men, largely dependent on the patronage of the rich and powerful, and often from a comfortable background. I don't vote Tory, so that doesn't appeal to me.Anecdotal evidence of time spent at a venue: Evidence or it doesn't count. Used to be you'd go to a gig at a small venue and there was a queue to buy CDs. Last time I played in an original band, about five years ago, no-one wanted them anymore. When I worked in a music store (instruments, not albums) in the 90s, local bands would talk about selling their EP; now they talk about just getting exposure. So in my experience a noticeable difference.I remember John Cummings of Mogwai buying a guitar back then, asking people along to the 13th Note for the gig. Maybe new bands like that, good enough to make a living but never making the big time , still have a future. If so, great. But it's obvious many people couldn't care less if they don't. You don't even bother talking about non-performing artists such as Wendy Carlos. Until there's evidence the new digital cult is actually beneficial to artists or even cares about them emomcnts like yours will just reinforce the screw em stereotype.

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